Tulse Hill

by Hannah Marshall

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  • Compact Disc (CD) + Digital Album

    Physical version released in Linear Obsessional's "Tangibles" series. Unnumbered hand-stamped CDR in clear polypropylene case with wraparound insert.

    Includes unlimited streaming of Tulse Hill via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download



    Download includes 10 page PDF booklet of notes and drawings by Hannah Marshall.
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    To get this album for free enter 0 as the price or download from Archive-
    http://archive.org/details/TulseHill
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about

Linear Obsessional is delighted to present a new album by London based improvising cellist Hannah Marshall.

"Tulse Hill" is a series of improvisations on a cello with the strings de-tuned to new pitches. This makes different resonances and creates pleasing tone relationships between the open strings.
I first started playing in this way while working with a movement artist Nikki Tomlinson on a piece performed in Spitalfields church in May 2009. The reason I continued to play and make recordings afterwards was for simply for pleasure.

The way of playing is very limited as there are only 4 main pitches to be used (apart from pitches over the bridge), so the improvisation element was more about discovering and following the natural and varying rhythms as they unfolded in each improvisation and doing my best each time to go further with these unfolding rhythms, seeing where they would take me.

As an improviser I am very interested in rhythm, not just as a unifying element between musicians, but also as individual internal musical spaces, that each musician will express completely differently. And for this project I was interested in discovering what my own rhythmic nature might be. Also repetition is often the simple way to continue to develop and give time to what subtle shifts and changes might occur. The practice of these very simple and absorbing open string studies became an enjoyable escape, and a meditation.

To put this recording together I treated them as if they were a meal that I was inviting the listener to devour. A meal needs to have at least two contrasting and complimentary flavours, which enhance each other. So eventually after a few months of disenchantment, the next element entered; sounds, moments of electronics, field recordings and other gathered recordings, including tapping the table, or recording the boiling of rice in a saucepan with a lid, that offered the ‘other’ flavours, to set off my low tenor cyclic rambles.

Each element of these recordings is kept as whole and unedited as possible, hoping that they come together simply as complementary elements of sound. I hope that they are clear, complex, trouble-free and out of place.

- Hannah Marshall, 2012

credits

released October 11, 2012

Cello and additions - Hannah Marshall
Recorded by Hannah Marshall 2009 - 2012

Booklet text and images by Hannah Marshall
Booklet design by Richard Sanderson

www.hannahmarshall.net

REVIEWS-

"This album from London improvising cellist Hannah Marshall contains a set of de-tuned cello instrumentals utilising rhythmic repetition and field recordings; the two elements imagined by Marshall as a series of meals with complimentary but contrasting ingredients.

The improvisations unfold naturally and organically, as simple repetitions branch out in small increments, like a suite of minimalist solo compositions. String beats drop in and out, shifting the structure of each piece until they rarely resemble their beginnings. Hannah Marshall really explores each avenue that opens up, a sense of openness throughout keeps the album bright and engaging. The variety of sound created conceals the simple set-up; at times Marshall conjures what seems to be a small gamelan chamber group, or, on 'Near Coincidence', a duo of mountain folk players. Field recordings and subtle electronics are closely weaved into the mix, rewarding close and repeated listening; 'Forge' unites scraping and squeaking bowed drones with the drumming of rain on a roof, and 'Too' embeds cyclical plucks and CD-skipping halts in a cloud of soft fog-horn moans.

As well as being an active member of various improvising ensembles, with 'Tulse Hill' Hannah Marshall has proven herself to be a solo player of imagination and intelligence; recording an album of deceptively simple but very rewarding and hypnotic music. A series of small meals that combine in a feast for the ears and mind."
-Michael Holland - Ears For Eyes
ears4eyes.blogspot.co.uk/2013/07/hannah-marshall-tulse-hill-linear.html

"Cellist Hannah Marshall‘s Tulse Hill (Linear Obsessional) is an exploration of improvisation and rhythm. The pieces are an examination of Marshall’s own rhythmic nature. Mainly using a detuned cello, Marshall limits the range of her songs and instead produces meditative journeys into her own musical space. After the tracks were recorded, Marshall then added minimal field recordings or electronics to add some depth to the sonic result. By its nature Tulse Hill is an introspective and personal work, but as in all good personal art works, it transcends the private to the public with ease." David Nemeth - Acts of Silence
www.actsofsilence.com/album-review/the-method-of-rhythm/

"BRILLIANT improv pieces for solo detuned cello by glorious Hannah Marshall !!!! - minimal & rhythmic & instant & also eternal !!! - first BC random-hit of the day !!! - there is a god !!!!" -Pyongyang Plastcs
pyongyangplastics.wikispaces.com/early-mid+october

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Linear Obsessional UK

"Linear Obsessional" is a label for experimental, improvised, and other music that falls through the cracks.
All of it available for "Name your Price" (which includes "£0")
Since 2013 all releases also get a limited physical release too.
Most music is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
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