by The Static Memories

  • Compact Disc (CD) + Digital Album

    CD with thermal gloss finish, in flexible gatefold plastic case with full colour wraparound cover designed by David Little, includes mini booklet with credits.

    Includes unlimited streaming of Puddling via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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The Static Memories are a free improvising duo from Brighton, UK, consisting of Gus Garside on double bass and electronics and Dan Powell on electronic and acoustic objects. "Puddling" is a collection of 10 pieces. Each of these shorter pieces is a wonderful exploration of timbre and mood some pointillistic, some more impressionistic - subtle, mysterious and enchanting. "Puddling" presents this duo at the top of their game - ever inventive and forging a very individual identity.


released November 5, 2018

All music spontaneously composed by The Static Memories.

Recorded at The Coach House, Kemptown, Brighton, winter and spring 2017 -2018

Dan Powell: Electronic and acoustic objects
Gus Garside (PRS): Double bass and electronics

(c) and (P) 2018 The Static Memories

Cover image and design by David Little

"ust squeezed into the very end of the 2018 Linear Obsessional release schedule is this stunning item from Brighton musicians Gus Garside and Dan Powell. Before I go any further, there is probably a need for disclosure on my part in relation to this duo. Firstly, the label I manage, TSOKL, released the Static Memories’ 2014 album The bloudy vision of John Farley and thus I was closely involved in the brokerage of that release. Secondly, I occasionally record with Dan Powell under the name Brambling. And lastly, I have recently begun developing a project with double bassist Gus Garside. Okay. So far, so incestuous. You may quite reasonably assume – based on this information – that I might be far from neutral in my appraisal of Puddling. It’s fair to say that I have a lot of admiration for these dudes’ musical output, yes, but I was sent a review copy, so my intention is to try my hardest to be impartial.
On Puddling, Garside plays double bass and electronics while Powell uses “electronic and acoustic objects”, “electronic…objects” being a fairly opaque way to describe software and various associated pieces of hardware. But there’s nothing wrong with a little mystique.
I particularly like the pieces that don’t immediately conform to what one might expect from electro-acoustic improvisation: “The Moon”, “Recedes at Daybreak” (an interesting noise at the beginning like hearing distant rock guitar out of doors), “The Homeless”, and “The Fifteenth Boulder” all share a searching quality; an attempt to break new ground. On the other hand, after repeated listens, pieces like “Time and the Hunter” or “The Pilgrimage” could be viewed as a little over-wrought or conventional in comparison, perhaps. One other interesting thing that I’ve not been aware of so much in their previous work, is the inclusion of unprocessed sounds of hand percussion: bellstrings, shakers and the like, drifting and evaporating like small clouds on a summer’s day. It reminds me a little of Powell’s other project, Nil; an improvising duo who use acoustic objects exclusively.
On the whole, Puddling is good, considered, balanced improvisation. The Static Memories refer to their work as “…music spontaneously composed…”. but let’s not split hairs. The pieces appear to have been the result of more than one session, being recorded over winter and spring 2017-2018. So, not your usual free improv, then, but testament to the good taste and discerning palette of Linear Obsessional boss, Richard Sanderson, who has been involved in myriad experimental projects himself and, therefore, knows his onions, as it were."
Paul Khimasia Morgan - Honest Music for Dishonest Times


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